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Showing posts with the label wonderful noise japan

Leonard Charles Lets Loose Fully Non-certified Unofficial Remix of Madlib, M.E.D. & Blu's "The Turn Up" Feat. Oh No (Dilla Month 2018)

Jeremy Toy is a New Zealand -based Shoegaze revivalist and one half of She's So Rad , who moonlights as "Leonard Charles:" a Hip-Hop -leaning producer, multi-instrumentalist, and Basement Funk originator. Since releasing his critically-acclaimed J Dilla tribute album, Basement Donuts , Leonard Charles has teamed up with Jellphonic, Reggie Blunt & kutcorners for a Rick James covers EP entitled ALL NIGHT LONG ; earlier this year, he joined forces with Detroit emcee Guilty Simpson for "Breaking Over You" 7-inch on Japanese imprint WONDERFUL NOISE , which was premiered digitally right here at The Witzard . However, in recent weeks, Jeremy Toy was unfortunately, involved in a hit-and-run accident after a Leonard Charles gig and was left with two broken legs. Now, with nothing but idle time while his legs slowly heal, Toy has vowed to return to recording material as "Leonard Charles" from his bed with beat machine and a crate-full of reco...

She's So Rad's Jeremy Toy Transforms Into "Basement Funk" Pioneer Leonard Charles for Donuts Covers Album, Basement Donuts (The Witzard Interview)

"I was asked to perform at a J Dilla Foundation fundraiser at a bar in Auckland, Neck of The Woods, 13th Feb. 2016 to celebrate the music of J Dilla and to also raise funds. My biggest influences as a producer are Pete Rock, No I.D. Diamond D, DJ Premier, and J Dilla. So, to be asked to play the fundraiser was a big deal for me. I wanted to do something on the night that would capture the creative essence of what I hear in J Dilla's work. To me, Donuts, is the ultimate expression of creativity. I remember first hearing it and being overwhelmed by how much emotion it stirred in me. It has everything: hard beats, mind-blowing sample chops, lyrical message, and some subliminal heavy sh*t... so, for the gig, I thought it was worth going all out and trying something really extreme—to cover Donuts as note-for-note, track-for-track as possible, but in a Basement Funk/home studio vibe. I had spent a year experimenting with modding old Roland drum machines, building 8-bit synths out ...