Tiny Desk Meets SXSW: clipping. Employ Teeny Tiny Instruments for Their NPR Music Tiny Desk (Home) Concert [Sub Pop Records]

NPR Music regularly participates in the annual SXSW Music Festival, whether it's curating their own stage or, simply, attending and reporting on hundreds of shows in Austin, Texas. Last year, it was canceled due to The Pandemic, but SXSW returned this March as an online-only festival. NPR Music was asked to program a "stage" of Tiny Desk (Home) Concerts and present them on the final day of this year's festival. Now, we present to you, Tiny Desk Meets SXSW: four videos filmed in various locations, all of them full of surprises. Leave it to clipping. to innovate around the fundamental notion of a "Tiny Desk Concert" itself; effortlessly taking the series' emphasis on close-up intimacy and transporting it to new heights of, well... tininess.

However, this is, after all, a band that contains multitudes. Producers William Hutson & Jonathan Snipes craft a bed of Hip-Hop, glitchy Industrial, and Noisy Experimental music, then, set loose emcee Daveed Diggs, whose violent imagery summons 90's Horrorcore and a thousand Scary movies. The band's last two album titles—There Existed An Addiction to Blood & Visions of Bodies Being Burned—offer up a sense of the overall vibe here, but Diggs' gift for feverish rapid-fire wordplay, also, acts as a leavening agent. Lest we forget, he won a Tony Award for playing Thomas Jefferson AND Marquis de Lafayette in Hamilton and he still knows how to sell every word that leaves his lips. So, yeah, multitudes.

Plus, a few surprises to trick your eye and help pull you into a clever and disorienting world of sound are employed by clipping. within said clip. For their set, clipping. employ a handful of teeny tiny intruments and tools of ther tarde, including a mini-mic, itsy bisty beat machines, laptops, computers, chords, cables, knobs, and buttons, as well as some sort of eerie music box with a hand (well, finger) crank. During their 15-minute micro-set, clipping. rifle through six songs from throughout their ever-evolving career: "Something Underneath" & "Check The Lock" from Visions of Bodies Being Burned, "bout.that" from midcity (2014,) "Shooter" from the Wriggle EP (2016,) and "The Show" & "Nothing Is Safe" from There Existed An Addiction to Blood (2019.)

It's really something to see—maybe, on Full-Screen mode?—chock-full with plenty of surprises, memorable moments, and doll-sized subtleties. In addition to clipping.'s own Daveed Diggs, William Hutson & Jonathan Snipes, their Tony Desk (Home) Concert features drummer and honorary fourth member Chukwudi "KWUDI" Hodge. Special shout-out go out to Cristina Bercovitz, Erin Bates & Daveed Diggs himself for filming the micro-sized concert footage seen here. It should, also, be of note that all of the adorable Tiny Furniture was fabricated by Cristina Bercovitz. We've included streams of a couple of the tracks heard within clipping.'s Tiny Desk (Home) Concert; see if you can spot the small differences between the album/EP vs. live versions. clipping.'s latest album, the phenomenally-titled Visions of Bodies Being Burned, is now avialble on Sub Pop Records.

"Let Me Shine for You:" Lindsay Lohan for Playboy (Winter 2011-12 Leak)

Lindsay Lohan essentially embodies exactly "What NOT to Do In Hollywood :" Fame, fortune, success... sex, drugs & Rock "N" Roll . Within a fairly short period of time, Lohan somehow managed to obtain a plentiful helping of POWER @ a very young age. This gradual rise-downfall was captured on film; Between 1998-2010, she portrayed a wide array of roles across the silver screen in movies including: Mean Girls, Bobby , Herbie Fully Loaded , Georgia Rule, Machete , and Freaky Friday . Between rapid-paced film shoots, Lindsay Lohan also found time to record 2 Pop Rock albums for Casablanca , Speak (2004) and A Litter More Personal-Raw (2005). Needless to say, Lindsay Lohan has gotten roped up in a lot of troubles and woes with the law over the last 3-5 years... a vicious cycle of drugs, arrest, court, rehab, "daddy issues," jail time [Repeat]. That's the pure basics of it - But Google that shit for additional info, if necessary. Towards the end of

[W]reckless, Topless American Youth: Lana del Rey - "Born 2 Die" (Britney Spears Birthday 30)

Lana del Rey [Lizzy Grant] effectively became 2011's "It Girl" with the release of her phenomenal debut single, "Video Games" (Stranger) . Like many struggling singer-songwriters, Grant has been signed, dropped, and significantly changed her public image since bursting onto the scene (2009). With that said, it can be assumed that Lana del Rey has collected just as many "haters" as she has avid supporters. To be perfectly honest, the only other artist I can think of that made this much commotion... garnered so much wide-spread buzz/hate and critical acclaim -- right out of the gates -- with just one track is Britney Spears . And maybe in this post- Mike musical era, that's the true synthesis of Pop Culture: Britney Lynn Spears . After months of repeated teasing and speculation, Lana del Rey 's major label debut, Born 2 Die will [finally] be released this coming Jan. 30-31, 2012. Pitchfork reports that it will feature "Off to The Ra

Liberty Bell Cracked In 1/2: Ween - "Freedom of '76" (Gene Ween's Final Send-Off)

Chocolate & Cheese (1994) was one of the first albums I bought with my own money. I was in some sort of BMG Music Club , where you'd buy 5 CD's and then get 10 for "FREE." It was all sent through mail order and you picked the titles from some special booklet. I'm almost positive that Chocolate & Cheese's side boob-baring album cover was what initially drew me in... mind you, I was 12-15 and the zany Ween logo/middle finger CD graphic really didn't hurt either. Honestly, I forget how I really felt about it @ the time, but a few years later, my older cousin Josh told me that Ween were this BIG college "jam band." CKY did some sort pf 93.3 radio takeover to promote their new album and played "Freedom of '76" late that night on air. Needless to say, I re-visited Chocolate & Cheese @ about 20-something this go 'round and I fucking loved it! Ween were really weird, yet talented... almost too talented. I can vaguel

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