The Witzard

The Clash @visionscollage (PHOTO CREDIT: Ebet Roberts) While my Spotify Wrapped said my Top Artist of 2020 was Rockabye Baby! (we have a 5-month-old son!) but I would beg to differ... it was The Clash. Since first discovering Punk/Classic Rock around age 15-16, The Clash have been one of my personal favorite bands and I've only become more of a fan the older I get. The Clash always just seemed to "get" it, they were unique enough, approachable enough, progressive enough, political enough, and without a doubt, cool enough! It seems like in uncertain times such as these, which we've all experienced again and again throughout 2020, The Clash have only grown more poignant and more essential to my own personal stability. Here at The Witzard, we've had a number of cohorts and close "online" friends of ours assembled Punk-minded playlists, a few of which, primarily focused on The Clash; these including, but not limited to, Spotify playlists curated by John Y...

Joe Strummer running The 1983 London Marathon (CREDIT: Steve Rapport) "YOU'RE NOT CRYING! I'M CRYING! NO, SERIOUSLY, I'M F***ING CRYING... I JUST RECEIVED FOUR BOXES OF MY OLD COLOUR TRANSPARENCIES & HAD NO F***ING IDEA WHAT WAS THERE AND THIS IS THE FIRST THING I FOUND: THERE'S COLOUR OF JOE STRUMMER IN THE F**ING LONDON MARATHON AND COLOUR OF THE CLASH AT THE BRIXTON FAIR DEAL AND I'M F***ING OVERWHELMED!!!" Steve Rapport (@steverapportphotography) ecstatically wrote within a Description posted along with an image on June 29. Rapport, a California-based London-bred Rock "N" Roll photographer was originally active from 1980-94. Simply Scrolling through Steve Rapport's Instagram page, it can quickly been seen he has photographed everyone from Sir Paul McCartney to Motörhead's Lemmy Kilmister. An obvious Joe Strummer fan, we Direct Messaged Steve on Instagram a while back and asked him to curate a Joe Strummer & The Clash-centr...

The Clash in Philadelphia on September 25, 1982 (CREDIT: Ebet Roberts) We've been running these With The Quickness playlist columns (title thanks to John "Jumbled" Bachman!) for a while now and, in my opinion, they just keep gettng better and better with each new installment. They're, generally, curated by like-minded fans and supporters of Punk/Hardcore, who more so often than not, are adjacent to the scene and not directly involved with or playing the actual music. So, this latest 11th(!?) edition was curated by renown author and well-documented Beastie Boys super-fan Dan LeRoy. An email/Twitter friend of The Witzard in recent years, LeRoy has written a number of extremely enjoyable books, including The Beastie Boys' Paul's Boutique 33 1/3, its "66 2/3" quasi-sequel, For Whom The Cowbell Tolls: 25 Years of Paul's Boutique, and The Greatest Music Never Sold: Secrets of Legendary Lost Albums By David Bowie, Seal, Beastie Boys, Chicago, Mick Ja...

The Clash - Combat Rock "Punk Note" Cover By: John Yates for Stealworks (@stealworks) I've, admittedly, been on a Clash kick lately during quarantine... well, pretty much all things even remotely Clash-related: I've recently re-visited 1977's The Clash, as well as Combat Rock, Big Audio Dynamite/Big Audio Dynamite II's sample-laden discography, Joe Strummer & The Mescaleros' early 2000's Hellcat Records albums, 2018 career-spanning comp. Joe Strummer 001, and, of course, Johnny Cash & Joe Strummer's "Redemption Song" cover/duet from CASH UNEARTHED. It's pretty amazing to me, while primarily Punk Rock/New Wave-based, how much sampling exists within The Clash and its members related projects' music. For example: "Rock The Casbah" features an electronic sound effect beginning at the 1:52-minute point of the song. This noise is a monophonic version of the song "Dixie." The sound effect source was generat...

INTRODUCTION: Maybe, it's in the gray hairs that I've started finding in my thinning hair. Maybe, it's that dreaded third decade of life that seems to have been rearing it's ugly face around every corner. Maybe, it's a quarter life crisis, but something has been keeping me up at night. I sometimes, stay awake into the early hours of the morning spinning records and fumbling with CD jackets from high school, grasping hold of my youth for dear life. I search out elusive first presses of albums I'd somehow, lost to time, hoping that they'll somehow, tighten the thread leading from middle school to adulthood. To be clear, I'm not fishing my torn band T-shirts or bondage pants from the depths of my closet, but as I make the transition into my 30's, shedding roommates and getting oil changes at regularly scheduled intervals, I can't help ruminating on where these albums came from and how they've shaped me. I can't help begging the question,...

"We have filmed a new video for our cover of The Clash 's "Magnificent Dance" with director Ross Harris . It is currently in England being animated and should air sometime in the next month or so," Lion -master Dan Ubick wrote in an emailed conversation about a month ago. "I am excited, as we've attempted a couple videos for other songs, and they didn't pan out. Even Ross' rough cut looks amazing because he brought great energy, ideas, and professionalism to the set. Super psyched to see how [our] tribute to Joe Strummer & The Clash turns out," Ubick enthusiastically continued. The Lions let loose their Stones Throw -pressed second album, Soul Riot back in February and it quickly became one of my favorite albums of 2015 right alongside MR. WONDERFUL , Detroit's Son, Uptown Special , and recent addition Yours, Dreamily . Not too far off from their first album, This Generation , Soul Riot is a well-executed R&B -leaning, h...