The Witzard

Late last night, right after midnight, we recieved a rather mysterious Bandcamp Notification email out of the blue. It arrived on behalf of Mello Music Group and said, "Greetings, Matt Horowitz, Guilty Simpson & Gensu Dean just announced EGO, check it out here." "Here's what they say about it: "Detroit's Guilty Simpson and Boom-Bap producer Gensu Dean combine for a new album arriving Oct. 8th feat, Marv Won, Black Milk, Georgia Anne Muldrow, Yarbrough, and Skyzoo," said early morning email continued. Along with the announcement of 12-track EGO , Mello Music Group additionally shared an initial preview of the album with "Don't Pull." Boasting Gensu Dean's dusty SP-1200 & MPC3000-aided production style and Guilty Simspon's grizzled tough-as-nails rhyming style, "Don't Pull" is definitely a head-banger and we're excited to hear the rest of EGO. EGO by Guilty Simpson & Gensu Dean Gensu Dean & Gui...

Walk It Out feat. Georgia Anne Muldrow by Tensei Tensei is a Chicago -based composer/producer/musician/beat-maker/song-writer "dream" team consisting of Chris "Kramer" Kramer and Midas Wells . "The two have a vast wealth of influences and history to inform their production including: Hip-Hop , House, Soul , Jazz, Library , and Electronic music among others; as a result, they create eclectic compositions that fuse many disparate styles," Tokyo Dawn Records' press page explains. Since about 2012, Tensei have worked alongside and remixed the likes of A. Billi Free , Anderson .Paak, Bilal , Black Thought, Denmark Vessey , Jimetta Rose, Tall Black Guy , TOKiMONSTA, and Dirty Science emcee ADaD . Interestingly enough, Midas Wells & Kramer rarely ever make use of source material/samples, both playing and composing most musical elements themselves, but, often, enlisting a talented cast of Chicago -based Jazz & Soul artists, which includes Maka...

"I was asked to perform at a J Dilla Foundation fundraiser at a bar in Auckland, Neck of The Woods, 13th Feb. 2016 to celebrate the music of J Dilla and to also raise funds. My biggest influences as a producer are Pete Rock, No I.D. Diamond D, DJ Premier, and J Dilla. So, to be asked to play the fundraiser was a big deal for me. I wanted to do something on the night that would capture the creative essence of what I hear in J Dilla's work. To me, Donuts, is the ultimate expression of creativity. I remember first hearing it and being overwhelmed by how much emotion it stirred in me. It has everything: hard beats, mind-blowing sample chops, lyrical message, and some subliminal heavy sh*t... so, for the gig, I thought it was worth going all out and trying something really extreme—to cover Donuts as note-for-note, track-for-track as possible, but in a Basement Funk/home studio vibe. I had spent a year experimenting with modding old Roland drum machines, building 8-bit synths out ...