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Showing posts with the label twin sister

"My Angry Adolescence Divided:" Kendrick Lamar - good kid, m.A.A.d. city (Early Review)

Kendrick Lamar generously unveiled a BRAND NEW non-album track, "The Jig Is Up (Dump'n)," to commemorate the sheer fact that good kid, m.A.A.d. city has already managed to move some 250,000+ units since it's initial [Oct. 23rd] release; It's a staggering call-to-arms aimed @ Lamar's critics and detractors, which just might end up being a sample of his long-rumored J.Cole -manned album. Kendrick Lamar even lets loose a couple quick jabs @ a washed up rapper who felt the need to voice his unwarranted opinions: "I pray to God this beat is good enough for Shyne , if not J.Cole your shit is trash" ha! For what it's worth, good kid, m.A.A.d. city sold 241,000 copies between Oct. 22-30th, taking second place on the Billboard 200 charts, just behind Taylor Swift . Most likely against Aftermath/TDE 's wishes, Lamar scrapped the potentially buzz-worthy Lady GaGa collabo track, bumped Dr. Dre & Mary J. Blige 's features to mere bo...

I Can't Feel My Face: Das Racist - "Gwyneth Paltrow" (Kendrick Lamar Pre-mix)

Contrary to popular belief, Das Racist 's version of "The Recipe" (Gwyneth Paltrow) actually pre-dates Kendrick Lamar & Dr. Dre 's single version, which was released first. Since "Meet The Frownies" [sample] was only issued in 2010, this all had to happen over the past 2 years... Scoop DeVille gave a rough version of the beat to Das Racist before ever even meeting Kendrick Lamar & Dr. Dre . But because Aftermath somehow managed to release "The Recipe" first, it may seem like Kool A.D. & Heems are beat-jacking, which is entirely off point. Anyways, here's Das Racist's final take, "Gwyneth Paltrow," now accompanied by some sort of found footage of 2 weird-ass 1970's "putty face" re-molding performance artists. Victor Vazquez directs or something...

Hope In Dirt City: Kendrick Lamar & Dr. Dre - "The Recipe" (Cadence Weapon, Re-review)

"No matter what he does or with whom he does it, Kendrick Lamar always manages to put his stamp on a track. He is a force of personality who can influence even the static logoified personage of old Andre Young , whether through vibe or straight up writing his verses. The Rap Cognoscenti has a low opinion of ghostwriting. I don't have a problem with it, as writing like this is often a collaborative process and has been going on forever, like Tony Asher writing lyrics with Terry Sachen and Brian Wilson . I don't feel less emotionally invested in the line, "I can hear so much in your sigh" because Wilson didn't write it. Dr. Dre is known to work like Michelangelo , getting other dudes like Scoop DeVille to paint the ceiling for him when he is the one behind the blueprint. He sounds excited for the first time in years! Much has been written about the precedents for Kendrick Lamar 's style (with him, "style" must be italicized), writers combin...