Skip to main content

All-around Breakdown: Little Low's Christine Atturio & Mike Assatly Take Us Through The Making-of Reasons to Grow EP (Wiretap Records)

Little Low, L-R: Mike Assatly, Eric Pocock, Christine Atturio, and Kris Moya (SOURCE: Facebook)

Little Low hails from The Bay Area, formed by guitarist and vocalist Christine Atturio (Save Ends,) drummer Mike Assatly (Spirits, BearTrap,) guitarist Eric Pocock (Discourage,) and bassist/vocalist Kris Moya (Jabber, Long Knives.) While we would attest Little Low sound something like a musical menagerie falling somewhere in-between Paramore, Weezer, and Cults, yes, their members have collectively played with Punk/Hardcore greats BearTrap, Discourage, and Long Knives. Originally started as a solo project in Boston by Atturio, Little Low released a self-titled EP of acoustic songs in 2020. After a move across the country in 2021 and missing the comradery of a full band, Atturio & Assatly asked Pocock & Moya to join and Little Low was born anew.

With each member bringing their unique set of musical chops to the table, Little Low melds together driving Hardcore drums, sparkly Emo guitars, melodic bass lines, and infectious hooks and harmonies from Atturio & Moya. The band's debut EP, Reasons to Grow, recorded at The Atomic Garden Recording Studio with Jack Shirley (Deafheaven, Gouge Away, Touché Amoré,) is out now on Wiretap Records. We were recently lucky enough to secure Christine, Mike, Eric & Kris for a full-band interview for NO ECHO on the making of Reasons to Grow. Additionally, we got Christine & Mike to provide us with a track-by-track breakdown of each track included within their Reasons to Grow EP for All-around Breakdown. Check it out below the break!


Mike Assatly: This was the obvious record opener to me. It has all the elements of our sound in a shorter song. And the overlaid "Taking Back Sunday"-style vocals in the center really cut through and showcase how well Christine & Kris [Moya] can play off of each other!

Christine Atturio: I had a demo of the intro and outro of this song kicking around for years, but never really knew what to do with it. When the band started, I put a bunch of demos in a folder for everyone to listen to and Eric [Pocock] really liked this one and had ideas of how to fill it out. He added the "Weezer heavy" chuggy part and gave the whole thing some structure to make what I think is a really cool and simple song.


Atturio: This is one of the first demos I made during The Pandemic Quarantine. I missed band practice, so [I] started messing around with "the drummers" in GarageBand and wrote this song as just an experiment in overlaying guitar octaves. Before it got its real name, we were calling it "Ferocious Octaves" in band practice 'cuz I probably had at least five guitar tracks going. The lyrics are about finding a partner who makes you feel secure and free all at once and I don’t think there's anything better than that!

Assatly: This is a mid-tempo banger about someone making you feel brave enough to do things you never thought you could and how much that can impact your life!


Atturio: This song is a doozy! I had this kicking around for a few years and would try to work on it, but the main reason I hadn't was because the lyrics I started singing were about the loss of my sister in 2005. I was putting off going through the emotional process of getting them out of my head, even though I knew it had the potential to be constructive; so, knowing that the band really liked the demo forced me to sit down and push through some pretty hard emotions to get the lyrics just right.

I took some inspiration from The Juliana Hatfield [Three] song "My Sister" because there's a part where she simply says, "I miss my sister" and I wanted to be that blunt about how much it S*CKS, but, also, honoring what a great person she was and being grateful for that. I've written songs about her before in a more abstract way and this song about accepting her loss and remembering the joyful parts of life is another step in the healing process.

Assatly: This is my favorite song on the EP! Everything from the subject matter to it being the fastest (currently recorded) song we have, and how powerful the outro is. Everyone has lost a loved one, so it’s very relatable.


Atturio: This song is my personal favorite because I worked a mention of my favorite beer (Guinness!) into the lyrics. It's about the end of a relationship that seems to just go in circles, repeating the same mistakes and having the same issues over and over again. I think the song is hopeful and sad at the same time. At some point one person needs to be the one to move on so that the other person can do the same.

Assatly: I like the anthemic chorus of this one the most and the outro building down the same way the intro builds up!


Atturio: This was our first single, which made a lot of sense 'cuz it's the bridge between my solo acoustic stuff and what became [the] Little Low full-band [version]. When I started playing this out at solo shows, I kept wanting to hear more power behind the song to accentuate the lyrics and emotions I was going through.

Especially, where the main section of the song (which is about forming realizations) switches to the outro of the song, where it becomes determined and resolute, proud of the decision to move forward. I had a GarageBand demo of the song, which I shared with Kris and when they sent back their ideas for additional vocals, the song felt so much more complete and emotional; I knew we were really heading in the right direction with rounding out our sound.

Assatly: When this song was released, someone reached out to our bassist, Kris, about how much they liked it and that the drummer [me] had "real Travis Barker vibes" and [I don't know] if they've seen me out in public in a Famous Stars & Straps shirt or not, but it was great to hear that! I feel like as the single, but, also, the closer of the EP, it was perfect for both [roles]: a good intro to what the full-band will be, but, also, the end of the song really picks up and sounds powerful and resolute, matching the flow of the lyrics!

Comments

Popular posts from this blog

"Let Me Shine for You:" Lindsay Lohan for Playboy (Winter 2011-12 Leak)

Lindsay Lohan essentially embodies exactly "What NOT to Do In Hollywood :" Fame, fortune, success... sex, drugs & Rock "N" Roll . Within a fairly short period of time, Lohan somehow managed to obtain a plentiful helping of POWER @ a very young age. This gradual rise-downfall was captured on film; Between 1998-2010, she portrayed a wide array of roles across the silver screen in movies including: Mean Girls, Bobby , Herbie Fully Loaded , Georgia Rule, Machete , and Freaky Friday . Between rapid-paced film shoots, Lindsay Lohan also found time to record 2 Pop Rock albums for Casablanca , Speak (2004) and A Litter More Personal-Raw (2005). Needless to say, Lindsay Lohan has gotten roped up in a lot of troubles and woes with the law over the last 3-5 years... a vicious cycle of drugs, arrest, court, rehab, "daddy issues," jail time [Repeat]. That's the pure basics of it - But Google that shit for additional info, if necessary. Towards the end of

[W]reckless, Topless American Youth: Lana del Rey - "Born 2 Die" (Britney Spears Birthday 30)

Lana del Rey [Lizzy Grant] effectively became 2011's "It Girl" with the release of her phenomenal debut single, "Video Games" (Stranger) . Like many struggling singer-songwriters, Grant has been signed, dropped, and significantly changed her public image since bursting onto the scene (2009). With that said, it can be assumed that Lana del Rey has collected just as many "haters" as she has avid supporters. To be perfectly honest, the only other artist I can think of that made this much commotion... garnered so much wide-spread buzz/hate and critical acclaim -- right out of the gates -- with just one track is Britney Spears . And maybe in this post- Mike musical era, that's the true synthesis of Pop Culture: Britney Lynn Spears . After months of repeated teasing and speculation, Lana del Rey 's major label debut, Born 2 Die will [finally] be released this coming Jan. 30-31, 2012. Pitchfork reports that it will feature "Off to The Ra

Liberty Bell Cracked In 1/2: Ween - "Freedom of '76" (Gene Ween's Final Send-Off)

Chocolate & Cheese (1994) was one of the first albums I bought with my own money. I was in some sort of BMG Music Club , where you'd buy 5 CD's and then get 10 for "FREE." It was all sent through mail order and you picked the titles from some special booklet. I'm almost positive that Chocolate & Cheese's side boob-baring album cover was what initially drew me in... mind you, I was 12-15 and the zany Ween logo/middle finger CD graphic really didn't hurt either. Honestly, I forget how I really felt about it @ the time, but a few years later, my older cousin Josh told me that Ween were this BIG college "jam band." CKY did some sort pf 93.3 radio takeover to promote their new album and played "Freedom of '76" late that night on air. Needless to say, I re-visited Chocolate & Cheese @ about 20-something this go 'round and I fucking loved it! Ween were really weird, yet talented... almost too talented. I can vaguel