Skip to main content

Moshuss & Hanses' Japanese Instrumental Hip-Hop Album Poltergeist On Limited Edition 10-inch with 5 Silk-screened LP Covers (Fennek Records)



Moshuss & Hanses are are two new-comer producers hailing from Mannheim, Germany and their 10-inch vinyl, Poltergeist, is the first release on Fennek Records. Fennek is, in fact, run by Hannes AKA Hanses, along with Heinrich AKA Shaga—yes, we're all on a first name basis around here! It appears as though Fennek Records plans to continually release a series of limited edition hand-made silk-screened projects on 10-inch vinyl; again, their inaugural project, Poltergeist from Moshuss & Hanses is currently available in 5 different "cardboard" cover designs complete with OBI strips that are limited to 50 copies each with 250 copies available all together. Poltergeist consists of 24 Instrumental Hip-Hop beats all clocking in at abut 1-2:00 minutes or less, which were jointly composed and created by Moshuss & Hanses. Hannes & Lukas (Moshuss) went diggin' through an endless trove of both digital and physical source material, strictly limiting themselves to only using Japanese records. "We think it's cool to have a clear vision and topic for every physical record we release," Fennek Records' Heinrich recently told The Find Magazine.


"Like, in the case of Poltergeist: only Japanese samples," Heinrich further explained within The Find Magazine's New Label Love interview column. The Find Magazine (@thefindmag) actually, did an Instagram post over the weekend, which read: "J Dilla, Japan, Jazz & beats: today's new record additions, via @FennekRecords, @BlackGoldAmsterdam, @VillageLiveRecords & @Postpartum.Records" that was the first place I had seen or heard about Moshuss & Hanses' Poltergeist or even Fennek Records, for that matter. It appears as though another integral part of Fennek Records' behind-the-scenes team is CZOLK x MISM (@czolk) who will be designing all of the hand silk-screened covers for Poltergeist, as well as Fennek's upcoming batch of 10-inch releases. Honestly, that's what first caught my eye: the 5 stark "cardboard," almost comic book-like CZOLK-designed sleeves for Poltergeist. Moshuss & Hanses' Poltergeist is now exclusively available digitally and on 10-inch from Fennek Records' Bandcamp page while supplies last.


"How the album was made: Lukas and I decided to do an album together. We did not have a heading [theme] at that time, so we started to look out for interesting countries because we wanted to have a topic we could work on.

First of all, we wanted to sample Chinese music, but we couldn't find too much sample-able music from China and then, we switched to Japan. Via YouTube, we found lots of promising music (just to get an idea of what was possible) and we also, found out that just some weeks ago a record store had opened in Mannheim, which was specialized on Japanese music—jackpot! We used samples we found on vinyl and samples we found on The Internet.

A very important part for this album was to search for music and build a big library; especially, for the drums, [percussion], and SFX. Using Japanese samples only meant that we had to start from scratch. So, the bigger the library got, the easier it was to make beats in a technical way. We also, used software synthesizers for some melodies and basslines; especially, sub-bass—not easy to find on records!

We did simple "Loop Hip-Hop" (ie: finding a nice piece of music and looping it over and over) and we also, did a lot of chopping and re-arranging in our project. Some beats, we built together, but most of the beats are either Hanses or Moshuss.

Besides collecting samples, which is fun, making a beat most;y starts (in our case) by finding a melody, a chord, a piece of music you really like. Simply put: the main sample. Then, you start playing with it—chopping, pitching, using FX or whatever you like. After that, you build the beat around it. BUT, sometimes, you also, start with the drums or anything else. It depends."

- Hannes & Heinrich (@fennekrecords)


Comments

Popular posts from this blog

[W]reckless, Topless American Youth: Lana del Rey - "Born 2 Die" (Britney Spears Birthday 30)

Lana del Rey [Lizzy Grant] effectively became 2011's "It Girl" with the release of her phenomenal debut single, "Video Games" (Stranger) . Like many struggling singer-songwriters, Grant has been signed, dropped, and significantly changed her public image since bursting onto the scene (2009). With that said, it can be assumed that Lana del Rey has collected just as many "haters" as she has avid supporters. To be perfectly honest, the only other artist I can think of that made this much commotion... garnered so much wide-spread buzz/hate and critical acclaim -- right out of the gates -- with just one track is Britney Spears . And maybe in this post- Mike musical era, that's the true synthesis of Pop Culture: Britney Lynn Spears . After months of repeated teasing and speculation, Lana del Rey 's major label debut, Born 2 Die will [finally] be released this coming Jan. 30-31, 2012. Pitchfork reports that it will feature "Off to The Ra

"Let Me Shine for You:" Lindsay Lohan for Playboy (Winter 2011-12 Leak)

Lindsay Lohan essentially embodies exactly "What NOT to Do In Hollywood :" Fame, fortune, success... sex, drugs & Rock "N" Roll . Within a fairly short period of time, Lohan somehow managed to obtain a plentiful helping of POWER @ a very young age. This gradual rise-downfall was captured on film; Between 1998-2010, she portrayed a wide array of roles across the silver screen in movies including: Mean Girls, Bobby , Herbie Fully Loaded , Georgia Rule, Machete , and Freaky Friday . Between rapid-paced film shoots, Lindsay Lohan also found time to record 2 Pop Rock albums for Casablanca , Speak (2004) and A Litter More Personal-Raw (2005). Needless to say, Lindsay Lohan has gotten roped up in a lot of troubles and woes with the law over the last 3-5 years... a vicious cycle of drugs, arrest, court, rehab, "daddy issues," jail time [Repeat]. That's the pure basics of it - But Google that shit for additional info, if necessary. Towards the end of

All-around Breakdown: Sean Martin Discusses Debut Instrumental EP Introducing The Magician As No More Magic (Residual Effects)

Sean Martin is a multi-versed musician, producer, and tattooer hailing from Connecticut. As a guitarist, song-writer, and/or producer he has worked with a variety of well-known artists including Hatebreed, Cold Cave, Wear Your Wounds, Umbra Vitae, Twitching Tongues, Cage, Kid Cudi, House of Blow, Head Automatica, XO Skeletons, Jet Fueled Horses, Handsome Boy Modeling School, and more. His versatility and flexibility within music allows him to blur the lines in-between the confines of Hardcore, Electronic, Metal, and Hip-Hop. Martin is, also, a skilled tattooer at Brass City Tattoo located in Oakville, Connecticut promoting the traditional approach to the craft. Founded by Martin himself between 2020-22, No More Magic combines ominous melodies with downtempo beats to create a dizzying dream-like atmosphere. Paying homage to the golden era of Hip-Hop while forging ahead down its own dark road. For fans of Portishead, Massive Attack, and DJ Shadow. No More Magic's Introducing The