Every Time I Die Share "Post-Boredom" from Newly-announced Ninth Studio Album RADICAL (Epitaph Records)

Radical-era Every Time I Die (CREDIT: Michael Watson)

Buffalo-based Hardcore heroes Every Time I Die [ETID] have just announced their highly-anticipated ninth studio album, Radical, out October 22nd, via Epitaph. Produced by Will Putney (A Day to Rememeber, Anti-Flag, Body Count, Four Year Strong,) Radical is the follow-up to 2016's acclaimed Low Teens. Every Time I Die is Keith Buckley (vocals,) Jordan Buckley (guitar,) Andy "The Butcher" Williams (guitar,) Steve Micciche (bass,) and Clayton "Goose" Holyoak (drums.) Today, the band shares "Post-Boredom," a mixture of the Nihilistic realism and persistent irritated optimism that powered Punk Rock in the late 70's and Post-hardcore in the early 90's. "'Post-Boredom" was the first song I ever wrote that gave me the feeling of real truth," explains vocalist Keith Buckley.

"I wasn't hiding any secret confessions in metaphors; I was very much fed up with living an unfulfilling life and felt that I needed a death (either figuratively or literally) in order to have a fighting chance at finding new meaning. I see this song from a distance. It's reflective, but, also, finally, detached. Not a full ego death, but indicative that the process needed to start immediately in my own life. If you read the lyrics and it resonates with you, then you, also, need to recognize that you might be feeling unseen in your current form. So, what are YOU going to do about it, if given the gift of death?" While inspired by the unrest and upheaval around the world over the past five years, Radical focuses on humanity, decency, self-worth, and even a bit of spirituality more so than politics.

"I'm dealing with difficult matters this time that isn't only personal for me, but are, also, universal and more communal experiences," Keith explains. "The songs are realistic in that they acknowledge that things require a lot of work. But it's, ultimately, a very hopeful and uplifting record." Radical is 16 tracks of peak-ETID, alchemized by a swampy summoning of Southern Rock and coarse poetry, the music swirls beneath sardonic and clever wordplay, cementing the band as leaders, not followers. Every Time I Die has a handful of tour dates throughout the rest of 2021 including their holiday extravaganza, 'TID The Season, taking place in their hometown of Buffalo, NY on December 10 & 11.

ETID has, also, just announced that they will support Post-hardcore band Underoath on the road early next year. Tickets are on sale Friday, August 20 at 10:00a.m. local time. For more information, visit EveryTimeIDie.net/. Every Time I Die 2021 Tour Dates: 8/28 Worcester, MA at The Palladium (supporting The Ghost Inside,) 9/23 Memphis, TN at Growlers, 9/24 Birmingham, AL at Furnace Fest, and 12/10-11 Buffalo, NY for 'TID The Season. Every Time I Die's "Post-Boredom" is available now on streaming services, via Epitaph. "Post-Boredom"'s companion music video was directed by Tes Hash & Daniel Davison and produced by Yeah Friction.

[W]reckless, Topless American Youth: Lana del Rey - "Born 2 Die" (Britney Spears Birthday 30)

Lana del Rey [Lizzy Grant] effectively became 2011's "It Girl" with the release of her phenomenal debut single, "Video Games" (Stranger) . Like many struggling singer-songwriters, Grant has been signed, dropped, and significantly changed her public image since bursting onto the scene (2009). With that said, it can be assumed that Lana del Rey has collected just as many "haters" as she has avid supporters. To be perfectly honest, the only other artist I can think of that made this much commotion... garnered so much wide-spread buzz/hate and critical acclaim -- right out of the gates -- with just one track is Britney Spears . And maybe in this post- Mike musical era, that's the true synthesis of Pop Culture: Britney Lynn Spears . After months of repeated teasing and speculation, Lana del Rey 's major label debut, Born 2 Die will [finally] be released this coming Jan. 30-31, 2012. Pitchfork reports that it will feature "Off to The Ra

"Let Me Shine for You:" Lindsay Lohan for Playboy (Winter 2011-12 Leak)

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All-around Breakdown: Sean Martin Discusses Debut Instrumental EP Introducing The Magician As No More Magic (Residual Effects)

Sean Martin is a multi-versed musician, producer, and tattooer hailing from Connecticut. As a guitarist, song-writer, and/or producer he has worked with a variety of well-known artists including Hatebreed, Cold Cave, Wear Your Wounds, Umbra Vitae, Twitching Tongues, Cage, Kid Cudi, House of Blow, Head Automatica, XO Skeletons, Jet Fueled Horses, Handsome Boy Modeling School, and more. His versatility and flexibility within music allows him to blur the lines in-between the confines of Hardcore, Electronic, Metal, and Hip-Hop. Martin is, also, a skilled tattooer at Brass City Tattoo located in Oakville, Connecticut promoting the traditional approach to the craft. Founded by Martin himself between 2020-22, No More Magic combines ominous melodies with downtempo beats to create a dizzying dream-like atmosphere. Paying homage to the golden era of Hip-Hop while forging ahead down its own dark road. For fans of Portishead, Massive Attack, and DJ Shadow. No More Magic's Introducing The

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