Jackson Whalan Unleashes De La Soul, Homeboy Sandman & Hiatus Kaiyote-influenced Funk/Glitch-Hop Souled Out EP... Just In Time for The Holidays (Adapted Records)

"A heartfelt tribute to and reflection of his upbringing in music, Jackson Whalan unleashes the Souled Out EP, out now on Adapted Records. Drawing on contributions from Jackson's own childhood friends and numerous talented contemporaries from The Berkshires, Souled Out explores a lush array of Hip-Hop sounds, not only through Jackson's multiple-flow lyricism, but with toasty-warm live instrumentation and arrangement. The result is a listening experience that bears full start-to-finish attention on a fine sound system—a fine departure into a side of Hip-Hop unique to Jackson Whalan," read a recent press release sent from Australian-based Adapted Records. Jackson Whalan is a lyricist and producer intent on "bringing a soulful blend of Hip-Hop & Electronic music with intentional rap, freestyle, and live instrumentation." Whalan lists his greatest sources of influence as Golden Era Hip-Hop emcees like De La Soul, The Fugees, Nas, and Eminem, as well as current artists such as Anderson.Paak, Homeboy Sandman, and Boston Jazz-Funk revivalists Lettuce; "in my life, I push myself to listen to as many forms of music as I can find: the Future-Jazz sounds of Hiatus Kaiyote or the legendary songs of Bob Dylan," Jackson Whalan wrote within a Souled Out EP-centric email. I have to admit though, when I first clicked play on Souled Out EP intro "Bad Yet," it instantly reminded me of Asher Roth's (un)surprisingly phenomenal Kids These Days-assisted, Jazz-minded Pabst & Jazz mixtape (2011).

"This release is especially close to my heart because I was able to feature Dominik Omega on the title track, ["Souled Out"]. Dominik Omega is the person who introduced me to Hip-Hop and taught me how to rap when I was like 11 years old. 14 years later, this feels like a full-circle experience; collaborating with the one who was there at the foundations of my path as a lyricist and producer, reuniting on a song finally, at a point in my life where I am really coming into my own as an artist," Jackson Whalan humbly continued. Souled Out EP features many of Jackson's friends and close collaborators including Ian Evans' production, keys, lyrics, and melodic programming on "Bad Yet," "Whale," and "Two Weeks Notice;" his "Home Again" collaborator Jules Jenssen on production duties, vocals, and Moog Sub37 on "Souled Out;" guest vocalists Tonio Sagan, Sam Laiz & Caitlyn Duby, saxophonist Tyler Gasek, electric guitar player Fran Cathcart, omnichord player Camille Breslin, and bassist and back-up vocalist Brian Ross appear throughout Souled Out EP's five eclectic compositions. "All praises are due to the close friends who played instruments and had vocal features on the EP, to SubStation Studio for providing studio time, and to all of those artists who have sent shivers through [my spine] with powerful styles and ideas. My favorite artists are my friends," Jackson Whalan wrote in closing. Jackson Whalan's latest Souled Out EP is currently available for purchase and streaming from Adapted Records' Bandcamp page for $7 AUD or more... just in time for the holidays!

"Let Me Shine for You:" Lindsay Lohan for Playboy (Winter 2011-12 Leak)

Lindsay Lohan essentially embodies exactly "What NOT to Do In Hollywood :" Fame, fortune, success... sex, drugs & Rock "N" Roll . Within a fairly short period of time, Lohan somehow managed to obtain a plentiful helping of POWER @ a very young age. This gradual rise-downfall was captured on film; Between 1998-2010, she portrayed a wide array of roles across the silver screen in movies including: Mean Girls, Bobby , Herbie Fully Loaded , Georgia Rule, Machete , and Freaky Friday . Between rapid-paced film shoots, Lindsay Lohan also found time to record 2 Pop Rock albums for Casablanca , Speak (2004) and A Litter More Personal-Raw (2005). Needless to say, Lindsay Lohan has gotten roped up in a lot of troubles and woes with the law over the last 3-5 years... a vicious cycle of drugs, arrest, court, rehab, "daddy issues," jail time [Repeat]. That's the pure basics of it - But Google that shit for additional info, if necessary. Towards the end of

[W]reckless, Topless American Youth: Lana del Rey - "Born 2 Die" (Britney Spears Birthday 30)

Lana del Rey [Lizzy Grant] effectively became 2011's "It Girl" with the release of her phenomenal debut single, "Video Games" (Stranger) . Like many struggling singer-songwriters, Grant has been signed, dropped, and significantly changed her public image since bursting onto the scene (2009). With that said, it can be assumed that Lana del Rey has collected just as many "haters" as she has avid supporters. To be perfectly honest, the only other artist I can think of that made this much commotion... garnered so much wide-spread buzz/hate and critical acclaim -- right out of the gates -- with just one track is Britney Spears . And maybe in this post- Mike musical era, that's the true synthesis of Pop Culture: Britney Lynn Spears . After months of repeated teasing and speculation, Lana del Rey 's major label debut, Born 2 Die will [finally] be released this coming Jan. 30-31, 2012. Pitchfork reports that it will feature "Off to The Ra

Liberty Bell Cracked In 1/2: Ween - "Freedom of '76" (Gene Ween's Final Send-Off)

Chocolate & Cheese (1994) was one of the first albums I bought with my own money. I was in some sort of BMG Music Club , where you'd buy 5 CD's and then get 10 for "FREE." It was all sent through mail order and you picked the titles from some special booklet. I'm almost positive that Chocolate & Cheese's side boob-baring album cover was what initially drew me in... mind you, I was 12-15 and the zany Ween logo/middle finger CD graphic really didn't hurt either. Honestly, I forget how I really felt about it @ the time, but a few years later, my older cousin Josh told me that Ween were this BIG college "jam band." CKY did some sort pf 93.3 radio takeover to promote their new album and played "Freedom of '76" late that night on air. Needless to say, I re-visited Chocolate & Cheese @ about 20-something this go 'round and I fucking loved it! Ween were really weird, yet talented... almost too talented. I can vaguel

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