Skip to main content

Torito & Jumbled Join Forces for Music for The Rapture EP & D.I.Y. Animated "Music for The Rapture" Video (Bonding Tapes)


Sorry I've been a bit absent from writing here lately... but helping raise a nearly 1-year-old baby, along with studying for my Drone Pilot Certification Test, has been A LOT these past few weeks! However, today, we're produd to present to you the new joint EP from Philly rapper Torito and Baltimore beat-maker Jumbled. Music for The Rapture is a project that came out of a year of isolation from The Pandemic and from the sense of impending doom that, unfortunately, grew all-too familiar during that time. Torito & Jumbled have only ever met once in-person when Torito's tour stop took him to a Baltimore Chinese restaurant for a show that kicked off with (guess what...?) a Jumbled beat set. Since then, the pair have tediously pieced together Music for The Rapture with the shared mindset and restricted pace of working parents with young children. While only amassing four tracks in just under 10 minutes, Music for The Rapture is brimming with Torito's layered lyricism and wry commentary, which match the mood that Jumbled's instrumentals establish, even in their brevity.


Across the EP-opening title track, an accelerating church organ serves as the backdrop for Torito's opening barrage about a world pulled towards a bewildering and undeserved demise, before the beat suddenly switches to a Funky guitar and bass groove as resistance mounts against the forces pulling us towards that demise. Jumlbed even animated yet another D.I.Y. hand-crafted msuic video for "Music for The Rapture." "In The Future Everyone Will Be Wearing One" begins with a Princess Bride sample about wearing a mask—which Jumbled added to the beat as a clever nod to the bull mask that Torito sports when performing—only to have masks become part of our daily lives for the last 16 months. Over a bouncy bassline and soaring strings, Torito rhymes about people preparing for a future that may never come to pass and being unprepared for the one that does; about the misguided priorities of those who cling to the old order as their world collapses around them.


Next up, on "Pearls In The Slop," which boasts the EP's lone guest feature, ALASKA (Hangar 18, Cargo Cults, WORDS HURT) skewers the "buffoonery" of the American "sh*tshow" and tosses out his signature brand of wide-ranging cultural references over Jumbled's ominous Psychedelic guitar riffs. The hook envisions The Great Flood from the perspective of those who've made it onto the boat through no virtue of their own and those who've been unjustly left behind, while Torito's verse, half-grim and half-smirking, examines the various types of predation dragging us towards deluge. The EP wraps up with "Affirmative," as Torito seeks a more positive posture towards an unnervingly uncertain existence. Torito's usual punchlines, double entendres, and MF DOOM references still abound, plus, there's a newfound focus on trying to carve out his own path moving forward, regardless of what's happening around him.

<

Music for The Rapture EP was mixed and mastered by C Money Burns (C$BURNS,) whose extensive engineering credits include BRZOWSKI, BLUu Edwards (Curly Castro & Small Professor,) Cody Cody Jones, MC Homeless, ialive, Jesse Dangerously, and we are the karma kids. Cover art for this project was borrowed from Jack Chick, a controversial religious writer and illustrator obsessed with the idea of a Hellacious Apocalypse awaiting a world of unbelievers. His religious pamphlets, Chick Tracts, are filled with stark, disturbing "fire and brimstone" images designed to scare people into a clean, moral life, and prostration before Chick's idea of God. Torito & Jumbled have collaborated once before on a track called "Bubble Play"—inspired by the mouth-watering ice cream treat—for Jumbled 2019 summer album, August Heat. It's streaming digitally now, but will be released on a limited edition cassette tape tomorrow, July 2nd, on Bonding Tapes from San Diego with the instrumentals on the B-side.


Comments

Popular posts from this blog

"Let Me Shine for You:" Lindsay Lohan for Playboy (Winter 2011-12 Leak)

Lindsay Lohan essentially embodies exactly "What NOT to Do In Hollywood :" Fame, fortune, success... sex, drugs & Rock "N" Roll . Within a fairly short period of time, Lohan somehow managed to obtain a plentiful helping of POWER @ a very young age. This gradual rise-downfall was captured on film; Between 1998-2010, she portrayed a wide array of roles across the silver screen in movies including: Mean Girls, Bobby , Herbie Fully Loaded , Georgia Rule, Machete , and Freaky Friday . Between rapid-paced film shoots, Lindsay Lohan also found time to record 2 Pop Rock albums for Casablanca , Speak (2004) and A Litter More Personal-Raw (2005). Needless to say, Lindsay Lohan has gotten roped up in a lot of troubles and woes with the law over the last 3-5 years... a vicious cycle of drugs, arrest, court, rehab, "daddy issues," jail time [Repeat]. That's the pure basics of it - But Google that shit for additional info, if necessary. Towards the end of

[W]reckless, Topless American Youth: Lana del Rey - "Born 2 Die" (Britney Spears Birthday 30)

Lana del Rey [Lizzy Grant] effectively became 2011's "It Girl" with the release of her phenomenal debut single, "Video Games" (Stranger) . Like many struggling singer-songwriters, Grant has been signed, dropped, and significantly changed her public image since bursting onto the scene (2009). With that said, it can be assumed that Lana del Rey has collected just as many "haters" as she has avid supporters. To be perfectly honest, the only other artist I can think of that made this much commotion... garnered so much wide-spread buzz/hate and critical acclaim -- right out of the gates -- with just one track is Britney Spears . And maybe in this post- Mike musical era, that's the true synthesis of Pop Culture: Britney Lynn Spears . After months of repeated teasing and speculation, Lana del Rey 's major label debut, Born 2 Die will [finally] be released this coming Jan. 30-31, 2012. Pitchfork reports that it will feature "Off to The Ra

Liberty Bell Cracked In 1/2: Ween - "Freedom of '76" (Gene Ween's Final Send-Off)

Chocolate & Cheese (1994) was one of the first albums I bought with my own money. I was in some sort of BMG Music Club , where you'd buy 5 CD's and then get 10 for "FREE." It was all sent through mail order and you picked the titles from some special booklet. I'm almost positive that Chocolate & Cheese's side boob-baring album cover was what initially drew me in... mind you, I was 12-15 and the zany Ween logo/middle finger CD graphic really didn't hurt either. Honestly, I forget how I really felt about it @ the time, but a few years later, my older cousin Josh told me that Ween were this BIG college "jam band." CKY did some sort pf 93.3 radio takeover to promote their new album and played "Freedom of '76" late that night on air. Needless to say, I re-visited Chocolate & Cheese @ about 20-something this go 'round and I fucking loved it! Ween were really weird, yet talented... almost too talented. I can vaguel