Skip to main content

Maryland Rapper-producer Dot-Com Intelligence Chops It Up with The Witzard Concerning Logic Marselis-produced PROTOCULTURE, Inspirations & Influences & All Things In-Between (Interview)


Dot-Com Intelligence AKA D.O.T. AKA Divine Cipher Truth Communicates Intelligence AKA Terrence Patterson is a rapper-producer hailing from Waldorf/Prince George's County, Maryland. He's an affiliate of 4Ever Records, Client-Tel Gang (CTG,) and Constellation 52 Blocks (C52G) and whole-heartedly "reps The DMV" AKA DC/MD/VA area. I first heard Dot-Com's 1980-90's Boom-Bap-evoking rhymes on "Puma Suede" and "BBFVK" from Baltimore producer and beat-maker John "Jumbled" Bachman's 2016 EP, Action Shots. Jumbled recently urged me to re-visit Dot-Com Intelligence's latest Logic Marselis-produced MGNTK. release, PROTOCULTURE, which was unveiled almost immediately after Bachman's own MGNTK. project with emcee UllNevaNo, The Ghost of Len Bias EP. PROTOCULTURE is the proper follow-up to Dot-Com Intelligence's Balibz-produced Summer 2017 album, SWAG GODLY HARD BODY VOL. 1. After giving PROTOCULTURE a few digi-spins on MGNTK.'s Bandcamp page, I reached out to Dot-Com Intelligence (@dotintell19) on Twitter and our conversation soon transitioned over to Gmail. What you now see below is a direct, unedited transcription of a quick, yet thorough emailed interview between myself and Terrence Patterson AKA Dot-Com Intelligence himself. If you haven't already, I would strongly urge you to check out Dot-Com Intellligence & Logic Marselis' PROTOCULTURE, which I would liken to something along the lines of Random Axe—Guilty Simpson, Black Milk & Sean Price RIP—meets RZA's gritty 36 Chambers-era Wu-Tang Clan production work. PROTOCULTURE is currently available on MGNTK.'s Bandcamp, along with The Ghost of Len Bias EP and illien rosewell x Logic Marselis' recent SUPREME BEING EP.


Sincerely,

Matt "The Witzard" Horowitz
Bringing You The Platters That Matter



I. How did you first align with MGNTK.?

It was by happenstance on Soundcloud... I was randomly checking out music, after I released my second project, SOVEREIGN (2014.) I happened to click on this project by Logic Marselis called CHEESESTEAK EGGROLLS (2014); I was completely blown away. After that, I heard UllNevaNo & Logic on THE PROTOCOL (2013) project that they did together... I made it my goal to support and get to know them. Since my crew, Client-Tel Gang (CTG) went on hiatus, the aesthetic of Logic & Neva made me rejuvenated to go hard and create the best art I can.

II. How did you and Logic Marselis decide to make this album together?

I emailed him, then we got [to talking]. I told him I had a idea for a project that would be easy and work to our strengths—me: words and concepts and Logic: beat creator and soundscapes. As a selling point, I even found and gave Logic all the samples!!! (make beats myself)

III. What's the meaning behind "PROTOCULTURE?"

"PROTO" - NEW OR ADVANCE CULTURE; THE WAY PEOPLE LIVE, ACT, AND BELIEVE. The goal is be with consciousness and God is consciousness!!!


IV. What might you likely cite as some of your greatest sources if inspiration and influence, while recording this album?

Influences & Inspirations: KRS-One, Public Enemy, Stevie Wonder, Jill Scott, Sean Price, Planet Asia, Mach Hommy, The 5% Nation, and Solace Solari AKA Solace The Wise 1 (writer and YouTube'r.)

V. What's the story behind the black-and-white image on the PROTOCULTURE cover art?

The story of the cover is from this photo of these kids living in the time of The Harlem Renaissance... I saw this photo on a public television documentary about Harlem. I loved the juxtaposition of those black kids, who were probably really struggling, but they presented themselves as royalty. There is struggle, anger, pride, and hope in defiance that's on their faces. It took me forever to find that picture!!! Thank God for The Internet!!!


Comments

Popular posts from this blog

"Let Me Shine for You:" Lindsay Lohan for Playboy (Winter 2011-12 Leak)

Lindsay Lohan essentially embodies exactly "What NOT to Do In Hollywood :" Fame, fortune, success... sex, drugs & Rock "N" Roll . Within a fairly short period of time, Lohan somehow managed to obtain a plentiful helping of POWER @ a very young age. This gradual rise-downfall was captured on film; Between 1998-2010, she portrayed a wide array of roles across the silver screen in movies including: Mean Girls, Bobby , Herbie Fully Loaded , Georgia Rule, Machete , and Freaky Friday . Between rapid-paced film shoots, Lindsay Lohan also found time to record 2 Pop Rock albums for Casablanca , Speak (2004) and A Litter More Personal-Raw (2005). Needless to say, Lindsay Lohan has gotten roped up in a lot of troubles and woes with the law over the last 3-5 years... a vicious cycle of drugs, arrest, court, rehab, "daddy issues," jail time [Repeat]. That's the pure basics of it - But Google that shit for additional info, if necessary. Towards the end of

[W]reckless, Topless American Youth: Lana del Rey - "Born 2 Die" (Britney Spears Birthday 30)

Lana del Rey [Lizzy Grant] effectively became 2011's "It Girl" with the release of her phenomenal debut single, "Video Games" (Stranger) . Like many struggling singer-songwriters, Grant has been signed, dropped, and significantly changed her public image since bursting onto the scene (2009). With that said, it can be assumed that Lana del Rey has collected just as many "haters" as she has avid supporters. To be perfectly honest, the only other artist I can think of that made this much commotion... garnered so much wide-spread buzz/hate and critical acclaim -- right out of the gates -- with just one track is Britney Spears . And maybe in this post- Mike musical era, that's the true synthesis of Pop Culture: Britney Lynn Spears . After months of repeated teasing and speculation, Lana del Rey 's major label debut, Born 2 Die will [finally] be released this coming Jan. 30-31, 2012. Pitchfork reports that it will feature "Off to The Ra

Liberty Bell Cracked In 1/2: Ween - "Freedom of '76" (Gene Ween's Final Send-Off)

Chocolate & Cheese (1994) was one of the first albums I bought with my own money. I was in some sort of BMG Music Club , where you'd buy 5 CD's and then get 10 for "FREE." It was all sent through mail order and you picked the titles from some special booklet. I'm almost positive that Chocolate & Cheese's side boob-baring album cover was what initially drew me in... mind you, I was 12-15 and the zany Ween logo/middle finger CD graphic really didn't hurt either. Honestly, I forget how I really felt about it @ the time, but a few years later, my older cousin Josh told me that Ween were this BIG college "jam band." CKY did some sort pf 93.3 radio takeover to promote their new album and played "Freedom of '76" late that night on air. Needless to say, I re-visited Chocolate & Cheese @ about 20-something this go 'round and I fucking loved it! Ween were really weird, yet talented... almost too talented. I can vaguel